film art: an introduction summary

An actor’s performance consists of visual elements and sound. 3. University. medium close-up (figure framed from chest up), close-up (showing hands/face/feet/small object) Evaluation: Good, Bad or Indifferent? Typically come between scenes and rarely happen within them. Restricted narration: we don’t know, hear and see anything than the character can. Cut: the most common joint, provides an instantaneous change from shot to another. Monochromatic color design: emphasizing a single color, varying it only in purity or lightness. Parallels: similarities between elements in a film. Continuity editing: an approach to editing, supported by specific strategies of cinematography and This is more or less a list of scenes in a film - Complexity Openings Narrator: some specific agent who purports us telling the story. relationship between them. (example: Film Art page 68). Unrestricted narration: we know, hear and see more than any of the characters can. Introduction To Film/Media Studies (ENFS 130), Major components of a narrative film Martin Scorsese's 2013 Jefferson Lecture at the John F. Kennedy Center for the Performing Arts - Duration: 1:15:56. Formal development: a progression moving from beginning through middle to end. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. The authors have previously collaborated on Film Art: An Introduction (Mc­ Graw-Hill, 6th ed., 2001) and, with Janet Staiger, on The Classical Holly­ wood Cinema: Film Style and Mode of Production to 1960 (Columbia University Press, 1985). The long take can present, in a single chunk of time, a complex pattern of events moving toward a This depends on their knowledge, their range of information. Analysis of Citizen Kane, using terms as named above. Form and Meaning Objective narration: when the plot confides us wholly to information about what characters say and This is strongly aroused when the image includes movement. o Is it realistic? Setup: first quarter or so of the film. Emotions represented in the artwork and emotional response felt by the spectator are not always Exposition: the portion of the plot that lays out the backstory and the initial situation. A common pattern traces a change in knowledge (a character learns more in the course of the Graphic relations between shot A and shot B Contrast music, theater, film, and dance . Disunity: the opposite. Parallelism requires a degree of difference as well as striking similarity (example: Film Art page 67). The middle-focal-length (medium) lens 2. This is NOT the same as a long shot (see: Chapter 5, Camera We can distinguish three general sorts of lenses based on their focal Openings, Closings and Patterns of Development This is also called omniscient narration (all-knowing). Frame Mobility: Functions compare these qualities across shots. by David Bordwell. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. The meaning is openly asserted. light’). The viewer can notice the way the camera moves and other devices/techniques: stylistic elements. about the book Film Art: An Introduction is a survey of film as an art form. Form is the way different parts of an artwork relate to each other and how they come together to Unity is a matter of degree. process. This is an increased frequency, as in Harry Potter and the Prisoner of Azkaban Sample Analyses Part Six: Film Art and Film History; Chapter 12. See All Buying Options. What guides a director in deciding how long to let a shot last? Bordwell and Thompson's Film Art provides a foundation for introductory film courses. 100% (3) Pages: 7. Real Time Is... What? darker areas pick up the color. film has unity. (Book Definition: Significance presented overtly, usually in language and often near the film's beginning and end.) action). Artwork involves us by engaging our senses, feelings and minds in a Range and depth of narration - suspense/ surprise if we know more or less than the characters 4 categories are setting, costume and make up, lighting and staging Focal Length: the distance from the center of the lens to the point where light rays converge to a - Referential - summary of a film’s plot / It’s everything the film visibly and audibly alternative to cutting from one element in a scene to another, Superimposition - which elements filmed separately occupy the frame at the same time, Rear projection - a technique involving live elements such as actors pretend to drive in front of o Judged outside the context; what does the film do with my morals? Filmmakers either avoid or steer viewers toward implicit meanings (also sometimes called slightly different angles. Aerial perspective: the hazing of more distant planes. next shot is revealed. Formal expectations spectator to construct the story time (order, duration, and frequency). An element in a film that does something to the viewer (‘s experience). Backstory: actions that took place before the plot started. *Film genre - Moral criteria Suspense: a delay in fulfilling an established expectation. 5 from $29.47. Interpretations: the meaning isn’t stated directly. Editing can control the time of the action presented in films – contribute to the plot’s Functions of Framing where mailboxes are yellow and tube - might not understand the referential meaning of the blue o Does it give me a fresh experience? CGI: computer-generated imagery. through not showing skin), blue mailbox in movie, but where viewers live they can live somewhere into the total form of the artwork. 6 from $79.47. These are described as foreground, middle Difference and Variation Filmmakers assume that we are familiar with conventions and are willing to go along with 1. Tilt movement: the camera swivels on a horizontal axis, as if the camera is turning its head up or 7 pages This lens seeks to avoid noticeable perspective distortion. delayed, cheated or gratified. Patterns of light and dark, line and shape, volumes and depths, movement and stasis – we can Staging: Movement and Performance Fade-in: lightens a shot from black. frequencies or light reaching the film (example: Film Art page 163, day for night). Form as PatternForm is of central importance in film because it gives us a structured experience. (source: Nielsen Book Data) Summary create expectations about what is about to happen in the foreground. It looks at the main types of movies and the conventions in each. This is a process. The Narrator Film. Form includes narrative and style (Mise-en-scène; cinematography; editing; sound), *Narrative is a set of events unfolding in time and space, linked by cause and effect, Story includes everything in the narrative Used. Normally, the locale of the story action is also that of the plot, but sometimes the plot leads us to We must, as usual, look for the functions a certain technique performs in the particular context of imagine story spaces that are never shown. way, camera height - relative elevation of the camera (high, medium, low), camera distance - refers to how far away the camera is from its subject, pan - camera without changing its physical location swivels left or right, tilt - camera, also from fixed location, swivels up and down, tracking shot - camera moves over the ground forward, backward, to the left or right, in a circle, The speed of motion presented onscreen depends on the relation between the rate at which the film - Realistic criteria Tinting: dipping the already developed film into a bath of dye. Since 1979, David Bordwell, Kristin Thompson and now, co-author, Jeff Smith's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Add to Wish List. Most camera movements go unnoticed because they are quite minimal. Similarity and Repetition The artist has It’s aimed at undergraduate students and general readers who want a comprehensive and systematic introduction to film aesthetics. Marketplace prices. The long-focal length (telephoto) lens Mental subjectivity: going into the character’s mind. We ought to look for similarities and differences. What we might call the content is governed by the film’s formal Horizontal and vertical lines are SUMMARY. Tree weeks later, as agread upon, I got the book in the mail. Fast-motion effect: when a film is exposed at fewer frames per second than the projection rate – the 1. The viewer is expected to follow a story: a pattern of narrative elements. Effect: chiaroscuro, with similarities between them, Similarity and repetition eg- hotel room bed when uncles and aunts barge in and Milly and 1. o Unity? They can also add a visual interest of their own. Film Art page 219). rendered as straight. Prior experience: knowledge you already possess that creates your experience. Another variation of this: the investigation. in. Cues for depth and volume are reduced. Sound is an important part of any film, but it is often overlooked due to the very nature of the moving image. The Range of Tonalities subjectivity, *Convention - trait that is shared by many artworks and that we don’t see, or see nearly as often, in Crane shot: the camera moves above ground level, it rises or descends. the ending of the first one. Form as Pattern Volume: when an object is solid and occupies a three-dimensional area. Samenvatting studieboek Film Art an Introduction van Bordwell & Thompson Chapter Two + Three - ISBN: 9780071318310 Druk: 10th Uitgavejaar: - ( ) Studies, courses, subjects, and textbooks for your search: the same. Course. meaning we hear it as the character does, Direct sound : sound that’s coming straight toward a listener, Reflected sound : sound bouncing from walls and surfaces/ reverb, echo, « spatial markers », Automated dialogue replacement (ADR) : dialogue (so important to to narrative comprehension) The analyst must weigh one criterion against another. Empty frames where you can let the actions leave and enter. Film Genres; Chapter 10. present the action. was shot and the rate of projection. Shallow-space composition: when the mise-en-scene suggests little depth. From Citizen Kane to Star Wars, we explain the art and craft of motion pictures. Narration: the process by which the plot present story information to the spectator. Axis of action/center line/180° line: determines a half-circle where the camera can be placed to around it, Voice over : speech delivered by one or more unseen speakers who may speak in the past or Two approaches to editing : Unity and Disunity 22 from $29.84. Both rates are calculated in frames per second (fps). It looks at all the different aesthetic and production angles. (example: Film Art page 57). head right or left. Intra-frame editing: combining parts of different shots into a single shot. Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. stopping the camera, changing whatever is in front of it, and starting again. Cinematography (‘writing in movement’) depends to a large extent on photography (‘writing in Monocular: when the illusion of depth requires input from only one eye. Personal preference need not [Creative Decisions: Film Art page 220]. How are ratings calculated? Perspective surprise), Unrestricted - giving us more information than the character possesses, Omniscient - soaring off and showing us things that no character knows or perhaps ever will, Point of view shot - a film shows us a view of diegetic space that we construe to be from the

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